Skip to content

Rita Ann Higgins Jiving With Wasps

€18.75

Code 9781780377643

Jiving with Wasps is a new retrospective from Ireland's Rita Ann Higgins drawing on a dozen collections from Goddess on the Mervue Bus (1986) to The Long Weekend (2024). Defiantly mischievous, playfully subversiv..

Add to Basket
Description

Binding: Paperback

Date Published: 26 Mar 2026

Jiving with Wasps is a new retrospective from Rita Ann Higgins drawing on a dozen books of poetry published over four decades, from Goddess on the Mervue Bus (1986) to The Long Weekend (2024), in addition to new poems appearing here for the first time. These are provocative and heart-warming poems of high jinks and telling social comment by a gutsy, anarchic chronicler of Irish lives and foibles. Defiantly mischievous, playfully subversive, this irreverent iconoclast has been achieving even wider popularity through her regular appearances on RTE's Brendan O'Connor Show: 'Rita Ann Higgins is the people's poet. She's magic. She's a one-off.'

About the Author

Rita Ann Higgins was born in 1955 in Galway, where she still lives. She left school at 14, and was in her late 20s when she started writing poetry. She has since published many books of poetry and prose, including Sunny Side Plucked (Poetry Book Society Recommendation) (1996), An Awful Racket (2001), Throw in the Vowels: New & Selected Poems (2005), Ireland Is Changing Mother (2011) and Tongulish (2016) from Bloodaxe; Hurting God: Prose & Poems (2010), Our Killer City: isms, chisms, chasms and chisms: essays and poems (2018) and Pathogens Love a Patsy: Pandemic & Other Poems (2020) from Salmon; and The Long Weekend (Gill, 2024), poems read on RTE's Brendan O'Connor Show. Her 2026 Bloodaxe retrospective, Jiving with Wasps: New & Selected Poems draws on all of these. Her plays include Face Licker Come Home (1991), God of the Hatch Man (1992), Colie Lally Doesn't Live in a Bucket (1993), Down All the Roundabouts (1999), The Plastic Bag (2008), The Empty Frame (2008) and The Colossal Longing of Julie Connors (2014). Her many awards include a Peadar O'Donnell Award in 1989, the Living Poets Society Award in 2021, and several Arts Council bursaries. She is a member of Aosdana.

Delivery Info

We provide FREE delivery in the Republic of Ireland when you spend €49 or more. 

FREE Click & Collect from The Ennis Bookshop. You will not be charged for this service.  We are happy to arrange Delivery outside Ireland. Please e-mail us at enquiries@ennisbookshop.ie for more information. 

Find out more about our Delivery & Collection services

Returns Policy

We want you to be completely satisfied with your order and we would hope to resolve any problems you may have. If you are unhappy with your purchase, we will exchange or refund the item or issue a credit note, providing the goods are not damaged and all packaging is still intact.

Terms and conditions apply.

Please view our full Returns Policy for further information.

Click to view complete product details

More Like This

A brilliantly spiky, surreal blend of humour and social issues. Her poems are a witty mix of the erotic and the upfront political from a female perspective, with wonderful rhythms that effortlessly incorporate direct speech. -- Ruth Padel * Independent on Sunday *
Higgins as intensively inventive and deliciously subversive as ever... The rebellious, innovative Higgins is one of his [James Joyce's] distinctive heirs. Like Joyce, she knows just how to beat up the English language and her use of mythology, Irish language and Ireland's past put her own inimitable stamp on her bang up-to-date present. -- Martina Evans * The Irish Times *
Higgins has always been a poet with a distinctive stance, never shirking her responsibilities as a public voice speaking on behalf of those who do not possess such a platforms. She is... both jocular and jugular, two traits that combine to make her a singular voice in Irish poetry... Passion and conviction walk hand-in-hand in these poems. -- Gerald Smyth * Poetry Ireland *
It shouldn't be unusual to hear a smart, sassy, unabashed, female working-class voice in Irish writing. But it is. Higgins's achievement doesn't depend on that rarity value, but it is certainly amplified by it. Higgins is, quite consciously, an artistic outsider... a unique fusion of wry, deadpan humour on the one side and absolute sincerity on the other. She doesn't congratulate herself for her sympathy with those who are (in this case literally) outside the world of art. She simply sees and writes. Her humour and playfulness keep sentimentality and self-righteousness resolutely at bay... She has made what is still the most direct and powerful statement of the class divide in Irish society... The boom years had no great effect on Higgins's voice, on her point of view or on her style. She had a manic linguistic energy long before the hysteria of the Tiger era quickened the pulse of the culture as a whole: Higgins could be regarded, in one of her guises, as Ireland's first rapper... Her political satire hasn't lost its edge, but it no longer reads as a cry in the wilderness... Now the bubble's burst, we're left with our real treasures, and Rita Ann Higgins is one of them. -- Fintan O'Toole * The Irish Times *
Silly, funny, and at times deeply discomfiting, these poems use vibrant and buoyant anecdote to invite you in, only to sadden and unsettle you with what might be hiding behind the linguistic misdirection. -- Susannah Dickey * on The Long Weekend *

Recently Viewed Products Clear All






Close

POP-IN HTML goes here

Close

Your Basket

Your basket is currently empty